Publishing's Future?

by Jean Henry Mead

Most writers attempt to stay current with publishing trends but technology has evolved so rapidly during the past decade that marketing experts are becoming desirable.

Hardcover books have become the dinosaurs of the industry, closely followed by paperbacks. And if projections are correct, ebooks will eventually become a product of the past. Some writers have tried to cover a number of bases to prevent genre slumps from cutting into their earnings as well. Writing in more than one genre has its advantages as well as its disadvantages. I've written mystery/suspense novels in a somewhat humorous vein as well as children's mysteries, Wyoming historicals and nonfiction books. After reading one of my mysteries, a reader suggested that I might want to write fantasies. :)

The disadvantage to writing in more than one genre is the need to switch gears and rotate genres on a regular basis. I know that Louie L'Amour wrote three books a year, but I like to enjoy the process of writing, not churn out copy as I did as a  news reporter. Two books a year is my limit.

Among the advantages is that you can halt work on a problem book to begin something else, before returning to the original manuscript. You can also combine more than one genre as I did with a book published earlier this year. No Escape: the Sweetwater Tragedy is an historical mystery. I researched the hangings of a young Wyoming couple on and off for more than twenty years before I had enough data to write the novel.


My latest novel, A Murder in Paradise, was released this week, the fifth book in my Logan and Cafferty mystery/suspense series. It's my last in the series, at least for a while. I tired of writing about two feisty 60-year-old widows traveling in a motorhome and stumbling over bodies, although, by now, they seem like old friends.

I enjoy writing novels based on historical happenings and researching not only the events but the people involved. Characterization is my strong suit, plotting my weakest, but with historicals, the plot is already laid out for me, thanks to the work of nonfiction writers. My adopted state of Wyoming is rich in historical events beginning with the western expansion of the mid-1800s, providing me with more than enough research for the rest of my writing life.

I don't plan to abandon the mystery genre entirely. I'll continue to write Hamilton Kids' mysteries, and I have a good narrator who's currently recording them for online audio book sales as well as my mystery series.  My historicals are also in the process of narration as well as one of my interview books. Thanks to an audio company, I've had a great variety of voices to choose from and it's fun listening to them audition to read my work. From what I've heard, audio books will replace both print and ebooks because they can be listened to while working, relaxing, driving or preparing dinner. It's undoubtedly the wave of the future and may do away with pleasure reading, just as teaching cursive writing has all but been abandoned in schools since the advent of the electronic age. We may soon be listening to our favorite books on Dick Tracey-type wrist watches or Walkman devices plugged  into our ears as we take our  evening strolls.

Setting the HIstorical Record Straight

by Jean Henry Mead

I enjoy writing historical fiction based on actual events because the plot is basically laid out for me. After 18 published books, I was finally able to combine my favorite genres—mystery/suspense with history—when I wrote my latest novel, No Escape, The Sweetwater Tragedy. However, getting the facts straight was more than I had bargained for.

I was researching a centennial nonfiction history book during the 1980s on microfilm when I discovered conflicting newspaper articles written about a young couple murdered a hundred years earlier by wealthy cattleman in southern Wyoming’s Sweetwater Valley. A cattlemen-influenced newspaper in Cheyenne reported that “Ella”Watson and James Averell had been operating a rural bawdy house and accepting rustled cattle for her "services." The lynchers considered that a hanging offense and watched the young couple strangle to death at the end of lariats, their toes bouncing off the ground. That not only angered me, it propelled my imagination into overdrive.

Conversely, a newspaper in Rawlins, Wyoming, reported that James Averell had been a good man who served as postmaster and justice of the peace in Sweetwater Valley. No one seemed to know that Ellen and James were married, so Ellen was vilified as a prostitute living in sin. She was dubbed “Cattle Kate” and later books, films, songs and poems labeled her an outlaw. Years of research discovered that the innocent 27-year-old woman had worked as a cook at the Rawlins House and kept her marriage secret, at her husband's insistence, so she wouldn’t lose her land. (Only single women in 1889 were allowed to prove up on homesteads). Further research uncovered the fact that the cattlemen had been grazing large herds of cattle on government land without paying for it, although they claimed ownership whenever a homesteader legally filed on the property.

When the murder case went to trial, all the witnesses had disappeared or died, so the cattlemen went free after posting one another's $5,000 bonds. Wyoming didn’t become a state until the following year so justice was apparently a figment of the imagination.

Because I like happy endings and didn’t want to end the book with the Averell’s deaths, I created a fictional character, Susan Cameron, who traveled by train from Missouri to homestead on her own, as did an estimated 200,000 unmarried women in the western states. Some were successful, others were not. Susan homesteads on land adjacent to the Averells and they befriend her. But she soon regrets her decision when Albert Bothwell, the lynchers' ring leader, begins his terrorist attacks on all the homesteaders in the area.

I conducted considerable research about women homesteaders and the problems they faced, wondering why single women would choose Wyoming, which at that time, had temperatures that dipped well below minus 40 degrees during the winter months. Most lived in shacks with leaking roofs, others in dugouts. I then remembered that Wyoming offered equality to women from as early as 1865, including the freedom to vote and hold public office as well as freedom to live on their own and voice their opinions. Many were escaping controlling men in their lives.

So Susan, my feisty fictional protagonist, is resistant to the advances of a nice young veterinarian who plans to start his practice in the territory. Women are scarce and considered a prize by the men who greatly outnumber them. That's my secondary plot: women seeking freedom and men trying to marry them.
 

I cried when I wrote the hanging scene. Emotion, as we writers all know, is the fuel which propels the plot. So I hope my readers feel the same sense of injustice and outrage at the crimes committed by wealthy cattlemen. I hasten to add that the book is not all tears and drama. There are also elements of humor and romance to lighten the storyline, , and I hope that I’ve helped to dispel the rumors which still persist that the Averells were disreputable characters.

                                                                                                   

Why I wrote No Escape, the Sweetwater Tragedy

 

by Jean Henry Mead

I was researching a Wyoming centennial history book during the mid-1980s, by reading 97 years’ worth of microfilmed newspapers. During that period I read about a young woman named Ellen “Ella” Watson, who had been hanged by cattlemen along with homesteader James Averell. The lynchers claimed that the pair had been running a rural bawdy house and taking cattle for Ellen’s services.

They called Ellen “Cattle Kate” and vilified her by claiming that she was not only a prostitute but a rustler. The Cattlemen’s Association, headquartered in Cheyenne, controlled a local newspaper and reports of the hangings were published worldwide, resulting in considerable condemnation that a woman had been hanged, despite the cattlemen’s claims.

I was mystified by the newspaper reports of 1889, when the murders took place, and decided to write a novel about it, someday. When I learned that Thomas Watson, Ellen’s father, believed the lies, I thought they must be true. A number of writers had written about the hangings from the cattlemen’s point of view, and western films had been produced, portraying Ellen as a pistol packing outlaw. That didn’t jibe with news reports from the Casper Weekly Mail, which published James Averell’s “letters to the editor,” complaining that greedy cattlemen were gobbling up all of Sweetwater Valley, so they could graze their cattle on government land, without paying for it.

James and Ellen had legally filed homesteads under the Desert Land Act, which happened to be located in Albert Bothwell’s hay meadow. Aha, I thought, there’s more to this story than the cattlemen claim. But finding out more about it would require more time and travel than I could spare at that time. Later, George Hufsmith’s nonfiction book was released and I was able to write my novel. Hufsmith had been commissioned to write an opera about the hangings, and was so intrigued that he spent the next 20 years researching and interviewing residents of Sweetwater Valley, who had intimate knowledge of the people involved as well as the real reason for the hangings.

To my surprise, Hufsmith discovered the wedding licence that James and Ellen had filed in Lander, Wyoming, and the fact that they kept their marriage secret, so the government wouldn’t take Ellen’s homestead land away from her. Only single women could own homestead land.

Because I didn’t want to end my novel with the Averell’s deaths, I wrote the story mainly from the viewpoint of a single woman homesteader, a neighbor of the Averells. From my research I learned that some 200,000 single women filed for homestead land of their own. Many of them married before they proved up on their land, but quite a few persevered, and even thrived, alone on their land.

The historical mystery/suspense novel can be purchased on Kindle and will be available in a print edition before the end of March.