One of the questions writers of fiction hear most often (if not the most frequent) is "Where do you get your ideas?" I usually give a semi-facetious answer: They're all floating around in the ether and when you're tuned in they just come to you.
Facetious, but as good an explanation as any. I can pinpoint where certain books started. Sometimes I began with a great title: Styx and Stones, for instance.

Once I had that, it clearly had to be a poisoned-pen story, so the characters, plot, and setting developed from there. But what sparked the title I have no idea.

The Bloody Tower, set at the Tower of London;
or To Davy Jones Below, set on a transatlantic liner, and Murder on the Flying Scotsman, on a train. In each case, the place--the setting--led to the plot and the characters. Where the Flying Scotsman is concerned, another factor was that I wanted to make it as different from Murder on the Orient Express as possible, though that's where the idea came from.

(The cover on the left, the US hardcover original, was developed from a real 1920s railway poster--which did not, however, have a skeleton driving the train)
So, sometimes the origin of an idea is clear. More often, I haven't a clue, or not one I can pin down. I guess the real answer is: A lifetime's experiences.
4 comments:
監聽器材
離婚諮詢
監聽手機
財產調查
電話監聽
網路詐欺
女人偷腥
肉體外遇
商業調查
信用調查
婚姻諮商
婚姻問題
老婆外遇
外遇處理
筆跡鑑定
挽回婚姻
老公偷腥
男人外遇
丈夫外遇
婚姻諮詢
感情諮詢
挽回感情
老婆偷腥
工商徵信
商標侵權
市場調查
針孔偵測器
反針孔偵測器
防止老人走失
防止小孩走失
防止寵物走失
底盤式追蹤器
車底追蹤器
追蹤器平台
日港電信
追蹤器科技網
北台灣防衛科技
汽車追蹤器出租
行車記錄器
租車公司
汽車衛星追蹤器
吸附式追蹤器
商業間諜
內神通外鬼
通姦罪
中華徵信
中華徵信所
羅漢腳
大陸新娘
外籍新娘
越南新娘
印尼新娘
金融貸款
催收人員
催收技巧
催收款
催收話術
催收實務
催收工作
債權憑證
討債權威
不當逼債
收數公司
收帳
收數公司
討債王
收數王
討債戰術
資產管理
詐賭
欠債還錢
票據信用監控
委託討債
如何委託討債
不良債權
債權收買
債務調解
債權評價
應收帳款問題
呆帳問題
企業異動監控
沖開
Post a Comment