A friend of mine, over the past few years,
has been writing his memoirs, which have now been published. But when I say writing, he’s been doing it in
a way that I don’t think I could. He’s
been dictating them into the computer using a voice activation programme (or
whatever they’re called). Nevertheless, just to prove my point, I’m going to
try dictating this to see what sort of product emerges.
The trouble with talking is that it moves
too quickly. You don’t have time to
balance the sentence, structure the argument – or rather, even if you think
very carefully before you speak, what you say is not part of a larger batch of
words, but simply something separate, independent, expressed in the instant of
saying it. That’s OK when you’re doing workshops
or working from notes because then you’re interacting with other people or
things and that gives you a different sort of continuity. But when you’re
sitting here as I am now with a blank mind and no idea where I want to go with
this, all it produces is garbage. In fact, it actually brings home the
immediacy of speech. That seems a
strange thing to say, but the act of speaking is such an instantaneous thing
that, once you’ve spoken the sentence, you’re left with silence, just a blank,
and nothing to link to what you’ve just said.
With writing, it’s different. The
words lie on the screen or page in front of you, part of something that’s
unfinished and which you can juggle around, delete or add to. It’s only finished and delivered when you’ve
shaped the whole thing the way you want it to look and sound. As I’m saying these words, they’re just
vanishing and only tenuously linking with what’s gone before.
You wouldn’t believe how painfully slow
this process is. I could have written
more than this far more quickly than I’m speaking it (and it would have made
more sense).
I’ve had enough of this. I’ve switched off
the mic and reverted (gratefully) to the keyboard. It was the repetitious
nature of what I was saying that got me in the end. I had no idea whether it
was leading anywhere or even if it was making any sense. I always read my stuff
aloud when I’ve finished writing it and that always highlights stylistic as
well as other flaws. But there’s a disjunction in dictating – it’s just
regurgitating lumps of words which don’t necessarily relate to those around
them.
I’d love to hear if any of you have tried
dictating and, if so, how successful or satisfying you found it to be. It’s so
utterly different that I’m still not sure how to define it. (The above attempt
was woeful.) In a way it’s the difference between thinking in sentences and
thinking in paragraphs. (I look forward to the day when I’ll start thinking in
novels.)
(And also to the day that I don’t use quite
so many brackets.)
1 comment:
I tried this a few months ago with much the same result. I also learned that the computer does no understand the vocabulary of mystery writing. Nor does it understand slang or southernisms.
I'm going to try again, because my brother gave me a Dragon for Christmas, and I hear that's a better program than the one I had. Wish me luck!
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