by Jean Henry Mead
Writers have all been there at one time or another. The story’s going along great when all of a sudden you come to a complete stop as though a stone wall stands in your path. Surprised and a little fearful, you can’t seem to get going again. You either abandon the project or put it aside, hoping you’ll eventually come back to it.
A good plot is like a good marriage. It begins with plenty of enthusiasm and energy, but after that first rush you have to settle in for the long haul. Your story has to deepen and acquire rich details so that your reader doesn’t lose interest. Sometimes, when you’ve run out of action and detail, you might begin to hate your story and wish you’d never started it. That’s when you’ve run out of what William McCranor Henderson calls “character knowledge.” He says, “When you hit that wall and don’t know where to go next, the best solution is to dig deeper.”
It's time to unearth intimate facts about your characters. Not everything about them, Henderson says, “it’s just the stuff we really need to know about our characters. Ideally, this includes the two or three key nuggets of personality or character history than can make you fall back in love with your story.”
An example of character knowledge may be that Terry likes ice cream and is allergic to chocolate. These facts don’t necessarily add up to character knowledge unless they cause something crucial to happen in the story. If Terry is investigating a murder case and eats a dish of ice cream containing white chocolate that he’s unaware of, he may wind up in the hospital just as he’s about to crack the case. Or Julie comes down with a bad case of poison ivy just before her wedding because her jealous rival puts snippets of the woody vines in her bouquet.
One way to dig deeper into your character's past is to interview yourself. In a focused freewrite, you jot down a few lines and answer the questions honestly. Such as:
Q. Why would Johnny marry a girl he doesn’t love?
A. Her father owns a large company and will offer Johnny a management job. His wife will inherit the company some day, making Johnny a wealthy man. Maybe the old man will have an unfortunate accident and Johnny won’t have to wait that long for the money.
Q. But won’t his wife know that he doesn’t love her.
A. He’ll shower her with gifts and pretend that she’s the love of his life.
Q. But everyone thinks he’s a great guy.
A. So did I until I started resaerching his character.
If you’re not getting the right answers from yourself, interview your characters.
Q. Why were you involved in an accident?
A. The road was slick and I lost control of my car.
Q. Weren't you paying attention to your driving?
A. Well, I guess I overcorrected when Sara distracted me.
Properly interviewing characters can bring out traits and faults you never knew existed, which can lead to all sorts of plot complications and solutions. Then, when you rewrite that blocked scene, you can take a new run at the wall and watch it disappear because you have character knowledge that allows you to view the scene through new eyes.