by Bill Kirton
This is another of those answers to ‘where do you get your
ideas from?’ Many years ago, an anaesthetist friend said that if I ever wanted
to do some research on surgical procedures and operations generally, he could
arrange for me to visit an operating theatre and see how it all worked. My
first thought was that I’d probably faint, be a nuisance and get in the way,
but it was a great chance to do some real observing, so I said ‘yes please’.
Just a few days later, I got the call and found myself in the theatre wearing
all the stuff you see on hospital TV shows and being so fascinated by all that
was going on that it never occurred to me to faint. In fact, the operation
scene in my book Shadow Selves is a
direct description of the experience and of the astonishing business of being
prepared to dig around in someone’s thorax amongst all the lungs, heart and other
stuff that’s packed and folded away there.
But back then, I wasn’t planning a book involving surgical
things or anaesthetics, so the notes sat in the computer. For ages, though, I’d
been toying with the idea of setting one of my books in a university context. I
used to be a university lecturer and I’ve done writing fellowships at three
others, so I knew something about the settings and what goes on there. The
problem, however, came from something I’ve mentioned before – a lot of my
thoughts of academia involved actual colleagues and students and fiction
doesn’t work (for me, at least), if your head’s full of real people. If you
find yourself thinking ‘Oh, this character’s like so-and-so’, the character can’t
develop in his or her own right. The real person gets in the way.
So I had to work hard to take myself and my ex-colleagues
out of my thinking and start from relationships rather than let the characters
decide the relationships beforehand. In the end, they grabbed their
independence and, since I didn’t know them and they weren’t based on any
memories or specific realities, they had room to surprise me.
The reality which I didn’t change, and it’s one which has
worsened rather than improved, is the significant transformation that took
place in many institutes of higher education, beginning in the 80s, with
Thatcher’s insistence on ‘leaner, fitter’ establishments. I know I’m
generalising but, before then, education combined the close study of your
chosen subjects and topics with the freedom to investigate beyond them, to
develop a broader cultural awareness. It provoked and encouraged you to be
intellectually curious about everything. Post Thatcher, it became a
student-processing, goals-orientated, vocational experience with too many boxes
to tick to spend time on thinking, reflection, broader investigations.
I’ve said it before, but academic life was marvellous – it
involved sitting around with young, intelligent, interested people talking
about books, and getting paid for it. And yet, beneath the urbane, learned
surfaces of professors and lecturers, the most bizarre thinking sometimes went
on and apparent intellectual giants behaved like schoolkids. My title, Shadow Selves, relates to this
phenomenon. It’s from Carl Jung, who wrote ‘Everyone carries a shadow, and the
less it is embodied in the individual’s conscious life, the blacker and denser
it is’. So here, the lecturers, surgeons, anaesthetists, nurses – and, yes, the
police too – all have these shadows, but it’s not necessarily the blacker ones
that cause all the damage.
2 comments:
Interesting post. Loved learning about your research that sat dormant for years before being used and your development of characters.
Thanks Jackie. I always tell people who attend my workshops that they should never throw anything away. On more than one occasion I've found myself stalled because there's something missing from a story and, after a trawl through my notes, newspaper cuttings, etc. I've come across an incident or idea that's exactly what I needed to plug the gap.
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