I love flowers, and growing things in general, and I always use plants as part of the setting in my books. Whether it's hedges wreathed with sweet-scented honeysuckle or scarlet poppies in a field, a meadow abandoned to stinging nettles or a wood carpeted with bluebells, using specific names adds life and colour.
Sometimes, plants can be used as more than part of the setting. In Anthem for Doomed Youth, for instance, a garden suggests the character of one of the victims--and that his widow isn't exactly heartbroken by his death:
UK cover |
Colonel Pelham had lived in a stuccoed post-war
bungalow, painted a bilious shade of mustard yellow with a dreary
olive-green front door. The contrast with the typical Kentish
red-tile roof was particularly distressing.
The front garden was laid out with military
precision. A rectangular patch of lawn on each side of the brick path
had rectangular flowerbeds centred in each lawn, edged with low,
rectangular box hedges, as was the path. The beds were planted with
rigid rows of magenta rose-campion and sternly staked red-hot pokers....
...their ears were assailed by a well-bred but
determined female voice floating out through an open window.
"Everything," it insisted. "The
lawn, the box, the campion—hideous colour!—the lot. I'm putting
in a forsythia, and rambler roses, and... What else sprawls all over
the place?"
"But madam—"
"What else?"
"Well, buddleia, madam, an'... But they be
mortal untidy, madam!"
"Just what I want, a bit of untidiness in
my life. Nasturtiums! Trailing geraniums! You can start digging
everything up, Johnson, and I'll get a book to help me decide what to
plant."
Even the most beautiful garden can harbour a threat. Dead in the Water begins with Daisy's arrival at her aunt's riverside house where she goes outside:
Looking down, Daisy saw a spotted
brown-linen rear end backing cautiously out of
the rosebed, followed by a broad-brimmed straw hat.
"Hullo, Aunt
Cynthia."
"I keep telling
him chopping off their heads won't kill them." Lady
Cheringham, straightening, brandished a muddy-gloved and clutching a dandelion
with a twelve-inch root. Her lean face, weathered by decades
of tropic climes, broke into a smile. "Hullo, Daisy. Oh
dear, is it past four already?"
Daisy started down.
"Only quarter past. The train was dead on time and your man was
waiting at the station." On the bottom step, she nearly fell over
a garden syringe.
"Careful, dear!
I was spraying the roses, dealing death to those dratted greenfly,
when I noticed the dandelion."
"Not deadly
poison, I hope? It seems to have dripped on your
blouse."
"Only
tobacco-water, but perhaps I'd better go and wash it off. It does stain
horribly." Lady Cheringham dropped the dandelion's corpse by the
sprayer. "Bister simply won't admit that hoes are useless
against these brutes, but that's what comes of having a
chauffeur cum gardener cum handyman."
"I rather like
dandelions," Daisy confessed.
Nicotine is, of course, a deadly poison...
Gardens are a traditional place to hide a body. In The Winter Garden Mystery, I not only have a body buried in a flowerbed, but the flowers themselves draw attention to its presence:
"And
that bush?" She gestured at an unhappy-looking shrub in
the
middle of a bare patch of ground. "What's that?"
"Azalea,
miss." He frowned, puzzled. "They bloom early in here,
too, but..."
"What's
wrong?"
"It's
terrible it looks. And where's the irises around it? Myself
I planted them, the kind that's flowering now, and hardly any
has come up." He stepped over the low kerb and picked his way
carefully to the small bush. Most of its few remaining leaves
were brown, except for one bronze-green sprig.
Daisy
saw that the dark soil of the bare patch was broken by a
few scattered iris shoots. "Perhaps a dog got in and dug them up
and buried them again too deep," she proposed, though there was
no sign of the earthworks usually left by an excavating canine.
"The
azalea is dying." Owen Morgan turned, panic-stricken. "All
the buds are dead. What'll her ladyship say? Please, miss, I
must find Mr. Bligh."
........
Owen
had dug a trench right across the bare patch of soil. He
and Mr. Bligh stood at one end, gazing down with fascinated revulsion.
"Go
on, have a look," urged Mr. Bligh.
Owen
knelt in the dirt. Reaching down, he moved something at the
bottom of the trench. "Oh
God! Oh God!" He flung himself backwards onto his heels,
his arms across his face. "It's her. It's my Grace."
We haven't even begun to consider the many beautiful deadly blooms: foxgloves, angel's trumpet, oleander, lily of the valley...the valley of death!
PS. You may recognize the title as being from Gilbert & Sullivan's Mikado. After all, Mikado is all about deciding which of the characters is to be executed...
3 comments:
Gardens are actually very heavily laden with metaphor; there's the Eden one for a start. Look what crimes happened there - or say it is said (don't subscribe to it myself). And the Hanging Gardens of Babylon - both things of romantic ancient history and things built with the blood of slaves. I love gardens (cue a quote from Elizabeth and her German Garden which I shall spare you) but they come with so much mystery, history, romance and hard work that must seem effortless - or all the magic flies beyond the walls.
Gardens are actually very heavily laden with metaphor; there's the Eden one for a start. Look what crimes happened there - or say it is said (don't subscribe to it myself). And the Hanging Gardens of Babylon - both things of romantic ancient history and things built with the blood of slaves. I love gardens (cue a quote from Elizabeth and her German Garden which I shall spare you) but they come with so much mystery, history, romance and hard work that must seem effortless - or all the magic flies beyond the walls.
I love gardens and have a vision of the one I would like in the yard of my dream house, only I have the brownest thumb on earth, so a gardener would have to come with the package.
You write beautifully, Carola.
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