With Age Comes Wisdom

By Mark W. Danielson

Ever wonder why so many authors are older? Two reasons come to mind; experience and opportunity. Experience comes with age, and for many, the opportunity to write comes with retirement. For those of you who have achieved financial independence by writing novels, I salute you. For the rest of us who enjoy writing and are able to accept meager royalties, read on.

Since we only stop aging once in our lives, I’ll forego any further discussion on that topic and move on to experience. It is safe to say that our frame of reference comes from whatever we do and see. The more experience we gain, the more things we have to write about and describe with accuracy. Quality writing comes from being able to incorporate our experiences into meaningful settings and dialogue. To “write what you know” is more than an old adage. While it is possible to research topics and then write about them, the prose that follows is usually less exciting than if you had written with first-hand knowledge.

A lack of expertise becomes obvious when writing about technical items. To write and be technically wrong will cost you your credibility. To avoid this pitfall, consider interviewing experts and then write them into your story as characters. I have done this several times because I believe if I required an expert’s opinion on something, then my character probably did, too. Since my lead detective is an average guy, this technique works well. I prefer him not being all-knowing and seeing.

I would wager there are more novelists who are retired than not. I say this based on observation and without authority, but it makes perfect sense. After all, people with full-time jobs must choose how to spend their free time, and for some reason, most that have families tend to prefer spending time with their loved ones rather than pinging on a keyboard. This is where retired folks have the advantage. Their only downside is they never get a day off. Retired or not, creative writing always comes down to time management.

If you want to write, then open your eyes as if you are seeing something for the first time. Wherever you go, take in the scene, its sounds, its smells, its grit. Note the dust on the light bulbs, the scratches on the doors, the wafting drapes, the creaking floors. Build your experience one day at a time, and when you sit down to write, draw upon your experience and fill your pages with emotion. While age may provide more opportunities to write, it’s the words that count. In this respect, the playing field is level.

How Writers Come Up with All That Stuff

By Chester Campbell

I was talking with a friend about my books the other day, and she said, “I don’t know how you come up with all this stuff you write about. You must have a really vivid imagination.”

Just for the heck of it, I looked up the definition of “vivid.” Among its meanings are:

Full of the vigor and freshness of immediate experience; evoking lifelike images within the mind; heard, seen, or felt as if real: a vivid description. I suppose that pretty well sums up where it all comes from. What we mystery writers write about is the sum of all the things we have experienced, things we’ve heard, seen, and felt. It’s the product of the stuff that builds up in our minds over a lifetime. The longer we live, the more of it there is.

Should I want to describe a sunset, all I have to do is think back over the hundreds of such phenomena I’ve witnessed. Skipping the first ten years of my life, when I wasn’t thinking a lot about sunsets, and allowing only one a month the rest of the time, that would give me nearly 900 to choose from. One I recall vividly (there’s that word again) took place over the Eastern Mediterranean one November evening in 1998 as I watched from the balcony of a beachside hotel in Netanya, Israel. As the sun sank slowly toward the churning sea, through a bank of dark clouds, streaks shot up like flames, turning the sky a blazing red. I sat entranced and watched until the shimmering ball disappeared as if swallowed by the waves.

A lot of what comes out when we sit at the keyboard involves our unique take on things we’ve read about in newspapers, books, magazines. A story about a disastrous balcony collapse in a hotel got me thinking how it might happen at a high-rise condo. The result was the opening scene in Designed to Kill, where two people are killed when a poorly constructed balcony falls.

A neighbor mentioned her visit to the restored plant and office building of a long-defunct auto manufacturer in Nashville. When I made a similar visit, I saw things in a different light, and The Marathon Murders became a reality.

Imagination is a major factor in the process. Without the curiosity to take a set of circumstances and consider what might have been had things occurred a bit differently, these stories wouldn’t have taken shape. All these words seemingly pouring out from nowhere may sound like magic to a non-writer, but they’re all part of a day’s work in transferring those imaginative images onto the page.

Set up a situation, put some characters into it, and turn them loose. It helps to have a vocabulary nurtured over the years by continuous reading and listening to others. Some few authors have an innate ability to shape their ideas into striking patterns of language. The rest of us spend years working on ways to give our prose the extra oomph that we hope will put us in that elite category.

Let’s celebrate our imaginations and continue to give them a good workout. Provide the readers with a good story and take a bow.