WRITERS ARE KIND

By June Shaw

People are kind. I have found authors to be more so than most.

Writers urge on and help other writers who are actually their competition. I belong to writers' groups like Mystery Writers of America, Guppies, Sisters in Crime, Murder Must Advertise, and Romance Writers of America among others.Published authors in these groups are always giving suggestions to the pre-published and published on how to improve and market their work. They also give assistance through their blogs. Those who weren't published yet also continue to help and encourage and read each other's work.

So many writers help those struggling to perfect their query letters, often editing many drafts of them. Authors suggest places where the pre-published might send their work, and I have found authors--even many N.Y. Times Bestsellers--most generous in reading advanced reading copies of newbies and kindly offering a quote.

Heather Graham is one of the kindest authors I know. I have admired her work for a number of years and met her once at a conference after I eventually sold a book. When I sold my second, I worked up the courage to ask if she might look at my ARC.

Immediately she said yes. She didn't know me from a tree but was willing to give a new author a chance. (And thank goodness she loved my book, KILLER COUSINS, comparing its main character with Miss Marple.) I saw her again last week at a conference. It was the birthday of my oldest daughter, Dawn. I called during the book signing hour to extend greetings and make plans for later in the day. Heather Graham sat behind huge stacks of her books, signing and speaking to readers. I leaned in and whispered that 2it was my daughter's birthday, pointing to the phone. Heather put out her hand, took my phone, and sang Happy Birthday to Dawn, which she'll never forget.

Other authors took my phone and wished my daughter a great day or sang the birthday song to her. What considerate people. I have discover kindness in so many individuals. Writers are the best.

My Conversation with Jeffrey Deaver

by Jean Henry Mead

International bestselling novelist Jeffrey Deaver has had a varied background as a journalist, folk singer and lawyer. His first novel, Manhattan is My Beat, was published in 1988. His 25th thriller is The Burning Wire. His novels have appeared on bestseller lists around the world, including The New York Times and The Times of London. His books have sold in 150 countries and translated into 25 languages.

Jeff, have your past careers served you well as a novelist?

My other careers have always been ways to allow me to make a living while I went after my goal of becoming a full-time novelist. I began publishing various stories and poems in my teens and finally published my first novel in my thirties. Journalism taught me to research, and law, curiously, was helpful in organizing my books—I outline fanatically.

When and where did your writing begin and did your early environment influence your work?

I began writing when I was about 11. I wrote my first novel then (really a short story, though I called it a novel). I was a nerd when I was young and thus I was drawn to reading and writing. My parents were both creative and encouraged me. I was reading mainstream novels, thrillers and fantasy mostly, at a very young age.

How did Kathryn Dance come into being and why did you decide to write about a female California Bureau of Investigation agent and body language expert?

I realized that I had many ideas for what I thought would be compelling thrillers, but they weren't appropriate for my evidence-driven forensics novels (my Lincoln Rhyme series). So I decided to create a character who was the opposite of Lincoln: A woman, with children, who lives in California. She would have little interest in the science of crime solving, but rather focus on the human factor—body language, linguistics, interrogation and interviewing. The psychology of crime. I've been very pleased at how popular she's become. Even readers who love Lincoln Rhyme appreciate Kathryn's skills. After all, they are friends.

You’ve won or been nominated in a number of countries for too many writing awards to list here. Which one means the most to you and do awards translate into bigger sales?

I think I'm most pleased that my stand-alone The Bodies Left Behind was named the novel of the year by the prestigious International Thriller Writers organization. It was a book that I spent a great amount of time on and was challenging to write—it contains one of the best twists I've been able to work into my fiction. As far as sales go, certainly awards get readers' attention, but in the end it's a book quality that dictates high or low sales.

Which of your mystery thrillers required the most research and do you have CBI agents at the ready to call when you need information?

Garden of Beasts took the most research. It's set in Berlin in 1936, and I wanted the details and atmosphere to be 100% accurate. Apparently it was, since a fan who escaped Germany in the late '30s reported to me that it was the most accurate—and moving--novel about that time that he'd ever read. Regarding research, I tend not to use living, breathing sources much. I prefer book and internet research, since when you talk to practitioners, you tend to skew the story to tell theirs; I want to make sure to tell my story.

Your Roadside Crosses novel, third in your high tech trilogy, features a teenage boy bent on revenge for real or imagined abuse, and is chilling. Did your antagonist evolve from Columbine and the University of Virginia killings? And why the crosses along the highway foretelling his planned murders?

I was actually inspired to write Roadside Crosses by another tragic incident: the teenage girl in St. Louis who was "befriended" by the mother of her former friend, posing as a boyfriend. He then told her that the world would be better off without her—and she killed herself. I wanted to write about the responsibility of bloggers and the social networking phenomenon.

Were you pleased or disappointed in the screen adaptations of HBO’s A Maiden’s Grave starring James Gardner and/or Universal Studios’ adaptation of The Bone Collector starring Denzel Washington and Angelina Jolie? Did you take part in any way in the filming?

My theory about movies is that I respect the process of filmmaking very much, but I don't want to have anything to do with it. My skill—and pleasure—is in writing thrillers, not scripts. I don't have a lot of patience for authors who complain about Hollywood's treatment of their books. How many of them have sent the check's back in protest? None that I know of.

What was it like to play a corrupt lawyer on your favorite soap opera, “As the World Turns?”

Exhausting! I've never worked so hard in my life. I have great respect for actors too, as I do for scriptwriters and directors, as I mentioned above. But, despite the fact I love to experience new things, I'll probably hang up my acting hat for the time being.

What’s your writing environment like and your schedule? Do you outline or wing it?

I work eight to ten hours a day, six days a week. I do at least one book a year, and so I work even when I'm on book tour (which generally amounts to about three months every year). Yes, I outline. I spend eight months outlining each book. And the outlines end up being about 150-200 pages. Thrillers of the sort I write must be structured. It's a waste of time to start writing and hope for inspiration along the way. Pilots and surgeons don't wait for inspiration. Why should authors?

Advice to fledgling mystery/thriller writers?

Write the sort of book you enjoy reading. Outline the books of your favorite authors (the successful ones only!) and study how they create their fiction. Write your own outline. Rewrite, rewrite, rewrite and rewrite. Ignore rejection. Keep writing; never stop!

Jeff's website is www.jefferydeaver.com.