Keep Titles Short. Really?

By Chester Campbell

When it comes to rules, I'm like my PI protagonists. I don't particularly care for them. Greg McKenzie, the main man in my first mystery series, got his Air Force career stalled out at lieutenant colonel after some of his superiors didn't like the way he played the game. He declined to be a clone of the good old boy, let's get along model investigator.

My second series features Sidney Lanier Chance, better known as Sid, who refused a desk job after a marijuana grower's gunshots interrupted his career as a National Park ranger. He took a job as a small town police chief but refused to kowtow to the local sheriff. This resulted in his being setup for a charge of bribing a drug dealer. Following a period of isolation at his hillside cabin, Sid hung out his shingle as a private investigator in Nashville's Madison suburb.

The second Sid Chance book is titled The Good, The Bad and The Murderous. Okay, it's somewhat longer than the conventional wisdom would dictate. But I've never been one to slavishly follow the conventional wisdom. I chose this title because...well, because it fit.

The "good" is a young black man named Djuan just out of prison at age twenty-five, where he had been since shooting a man during a drug deal when he was twelve. He moved in with his grandmother who vowed to help him follow his determination to make something of himself.

The "bad" is a  pair of tainted cops who accuse Djuan of committing a new murder on flimsy evidence. Sid reluctantly takes an assignment from Djuan's grandmother to try and prove he isn't guilty.

The "murderous" is a deadly hit man we don't see until the latter part of the book. But when we do, he has Sid in his sights.

I initially came  up with the title "Good, Bad and Murderous," but my colleague Beth Terrell, now  known as Jaden, said since it was obviously a parody on "The Good, the Bad and the Ugly," I might as well add the rest. Which I did. And I think it's quite effective.

Today, tomorrow and Friday (Jan. 29-31) The Good, The Bad and The Murderous will be free to download as an ebook in the Kindle Store.

Chester Campbell and THE GOOD, THE BAD, AND THE MURDEROUS

By Jaden Terrell

I've long been a fan of Chester Campbell's work. His sleuthing sextagenarians Greg and Jill McKenzie are like old friends, and Sid Chance, the...pentagenarian?...of his new PI series is a strong, understatedly sexy hero you can depend on. Sid's herculean size (he's 6'6") is reminiscent of Lee Child's Jack Reacher, but unlike Reacher, with his legendary propensity to roam, Sid has roots that run deep. He's been wounded, but maintains his connections to friends and loved ones. And, while Chester doesn't expressly say this, I suspect Sid changes his underwear more often.

In the interest of full disclosure, I should say Chester and I have been friends and in the same critique group for about 15 years now. A long-time journalist, he was always the most polished writer among us, and at every meeting, we struggled to find room for improvement. Partly because of that, and partly because of his tenacity, no one doubted that we'd see his work in print. Because of its setting (partly in Nashville and partly in the Holy Lands), I always had a soft spot for his first published novel, Secret of the Scroll, but the first Sid Chance novel, The Surest Poison, quickly became a favorite. With every book, Chester does the seemingly impossible: he just keeps getting better.

The Good, the Bad, and the Murderous, Chester's latest book and the second in the Sid Chance series, continues this trend. As the book begins, Djuan Burden, a young man recently released from prison after serving time for a murder committed when he was twelve, has been arrested for a second murder. Djuan claims to have found the victim dead and fled the scene in panic, which explains why witnesses placed him at the scene. Despite Sid's doubts about Djuan's innocence, Sid is persuaded to investigate the case. This decision leads Sid and his partner, Jaz LeMieux, into a complex web of murder, police corruption, Medicare fraud, and false accusations. Chester deftly weaves these plot elements into a compelling tale of greed and redemption.

The Good, the Bad, and the Murderous is a top-notch mystery by a top-notch mystery writer. Highly recommended.