Why Add Romance to Mystery?

by Jackie King

Romance in mysteries seems to be anathema to some readers and writers, and I have no problem with that. Everyone should read and/or write any type of book they like. I, myself, enjoy some of these mystery novels from time to time. However, for me, a touch of romantic love adds that special human touch.

Even hard-edged thrillers such as the remarkable Val McDermid writes, usually have an affair of the heart touching the story. I just finished Cross and Burn, and the angst Tony Hill endured while thinking of Carol Jordan, added much tension to this mystery.

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Including a touch of romance is something I do in my own B&B cozy mystery series featuring Grace Cassidy. After publishing the second in the series I got remarks from readers who were annoyed that I left the relationship between Grace and Sam Harper, hanging in the wind. They were right. If I had it to do over, I’d add one last chapter that would give readers a bit of satisfaction.

  

In the third novel of the series, The Corpse and the Geezer Brigade, their romance picks up again, and I got better reviews. (I’m a late bloomer and probably a slow learner—but I do try to improve my writing skills in each book.)

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In her autobiography, Agatha Christie mentioned that if she added a bit of romance to her novels, the books to sold more copies. Now I think that most mystery fans will agree that writing romance wasn’t the great Dame Agatha’s strong suit. Her surprising plot twists were what caused her books to fly off the shelves. But the famous lady of mystery was an astute business woman; therefore most of her stories have some kind of love interest.

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Writers have now become adroit at blending a love story with pure mystery. In Sue Grafton’s Kinsey Millhone mysteries, our heroine always seems to have bad luck with men. But when Grafton penned G Is for Gumshoe and added an anti-hero type guy named Robert Deitz, the book sizzled for a few pages.

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Historical mysteries also feature love. One of my favorite authors, Anne Perry, uses two different hero types. William Monk, brilliant and ambitious, fancies helpless, very ladylike women. Our protagonist, Hester Latterly, who served with Florence Nightingale in the Crimean War, is a prototype of the early feminist. When these two characters are pierced by Cupid’s arrows, the excitement mounts.

Another of Perry’s popular series features Thomas Pitt, a poorly paid policeman who weds Charlotte Ellison, the daughter of a well-to-do family. The union is definitely a no-no in the class-conscious Victorian setting. The marriage and the complications that arise from it, make Perry’s plots deep and believable.

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Even hardboiled mysteries feature strong love stories. The Elvis Cole series, written by the grand master Robert Crais, is a perfect example. Elvis’ love match with Lucy Chenier is enough to melt your teeth. And even though the two have parted for the safety of Lucy’s young son, her memory still lingers with Elvis and adds an extra dimension to Crais’ books.

  

Joe Pike, that hour-and-a-half hardboiled egg, and my personal favorite hero (also created by Crais) is not immune to love. When he falls, he falls hard.

This list could go on and on, and I haven’t even mentioned the popular romantic suspense novels. So I’m going to go out on a limb and say that adding romance to mystery just makes the story that much richer and more fulfilling.

If you have a favorite mystery that also features romance, I’d like to know about it. I will also love any comment you care to make, favorable or not.

Romancing the Mystery

by Jackie King

Mysteries are my first love, but since Valentine’s Day is tomorrow, I decided to explore mysteries that have a love interest. Adding a touch of romance is something I do in my own mystery series featuring Grace Cassidy.

In her autobiography, Agatha Christie mentioned that if she added a bit of romance to her novels, the books to sold more copies. Now I think that most mystery fans will agree that writing romance wasn’t the great Dame Agatha’s strong suit. Her surprising plot twists were what caused her books to fly off the shelves. But the famous lady of mystery was an astute business woman; therefore most of her stories have some kind of love interest.

Agatha Christie

Writers have now become adroit at blending a love story with pure mystery. In Sue Grafton’s Kinsey Millhone mysteries, our heroine always seems to have bad luck with men. But when Grafton penned G Is for Gumshoe and added an anti-hero type guy named Robert Deitz, the book sizzled for a few pages.

Sue Grafton

Historical mysteries also feature love. One of my favorite authors, Anne Perry, uses two different hero types. William Monk, brilliant and ambitious, fancies helpless, very ladylike women. Our protagonist, Hester Latterly, who served with Florence Nightingale in the Crimean War, is a prototype of the early feminist. When these two characters are pierced by Cupid’s arrows, the excitement mounts.

Another of Perry’s popular series features Thomas Pitt, a poorly paid policeman who weds Charlotte Ellison, the daughter of a well-to-do family. The union is definitely a no-no in the class-conscious Victorian setting. The marriage and the complications that arise from it, make Perry’s plots deep and believable.

Anne Perry

Even hardboiled mysteries feature strong love stories. The Elvis Cole series, written by the grand master Robert Crais, is a perfect example. Elvis’ love match with Lucy Chenier is enough to melt your teeth. And even though the two have parted for the safety of Lucy’s young son, her memory still lingers with Elvis and adds an extra dimension to Crais’ books.

Robert Crais

Joe Pike, that hour-and-a-half hardboiled egg and my personal favorite hero (also created by Crais) is not immune to love. When he falls, he falls hard.

This list could go on and on, and I haven’t even mentioned the popular romantic suspense novels. So on Valentine’s Day Eve, I’m going to go wild and say that adding romance to mystery just makes the story that much richer and more fulfilling.

If you have a favorite mystery that also features romance, I’d like to know about it. I will also love any comment you care to make, favorable or not.

Fame, Fortune and Chapter One

By Pat Browning

Writing. What’s it all about? Dozens of books will tell you how to do it, but nobody can do it for you. Sure, you can hire a ghostwriter, but then it’s not really your book, is it?

Advice? I have some advice for anyone starting to write a first book.

1.Don't take rejection personally, just keep working on it. Quoting Sue Grafton, who spoke at a conference in Boise a few years ago: "The free world does not hang in the balance. You are only writing a book."

2.Talent, like murder, will out, but be prepared to wait. What I heard repeatedly when I started was, "Don't give up your day job." If you’re addicted to food and shelter, that’s good advice.

3.Write for the thrill of it, and what you learn from it. Quoting Holly Lisle in HOW TO FINISH A NOVEL: "Write what you love, not 'what sells.' ... What you will not do for love, you should not do for money."

Plan and plot? I swear, one of these days I'm going to try that. Maybe then I'll write a best seller. In the meantime ... Settings usually present themselves, because I love places. Characters seem to arrive, probably from my lifelong love of people watching. That’s it. I can't plot my way out of a paper bag. After I've done pages and pages of drafts I start thinking, what will I do with this mess?

Recently, I enrolled in "Discovering Story Magic," an online workshop presented by Robin Perini and Laura Baker through www.writersonlineclasses.com. A story board I made for my work-in-progress is marked off like a calendar, with yellow sticky notes for First Turning Point, Second Turning Point, Third Turning Point, and Fourth Turning Point ( Black Moment, and Realization). It keeps me on track.

Nothing, but nothing, inspires me like reading a good book. Some of my favorite authors may or may not struggle to get those words on paper, but for reading enjoyment it’s best not to look for sweat and tears between the lines. Better to accept it as magic.

I have too many favorite books to list but here are four.

NICE TRY by Shane Maloney (2001 Arcade Publishing, First published in Australia in 1998)
Maloney wraps social commentary around a mystery featuring Murray Whelan, a political dogsbody in Melbourne, Australia. Recruited to help with the government's bid to host the Summer Olympics, he ends up trying to outwit an Aboriginal activist while investigating the death of a promising young triathlete.

SUMMER OF THE BIG BACHI by Naomi Hirahara (Bantam 2004)
Mas Arai is an aging California gardener who harbors a secret going all the way back to Hiroshima before the A-bomb dropped. There is a murder, but the story belongs to Mas and the way he puts his long-held secret to rest.

THE SIXTEENTH MAN by Thomas B. Sawyer (iUniverse 2001)
Sawyer weaves together parallel lines of history and present time, with an intriguing JFK assassination angle and the best "what if" ending ever. Sawyer was head writer and co-producer of the TV show MURDER SHE WROTE so he knows how to keep a story moving.

PLAY MELANCHOLY BABY by John Daniel (Perseverance Press 1986)
In 1977, lounge pianist Casey Jones tickles the ivories for customers who love the songs of The Great Depression and World War II. Then a mystery woman yanks him back into a past he wanted to forget. It's a mystery in a time capsule, beautifully written.


Note: I found this blog while trying to clean up My Documents. I posted it six months ago, but it seems worth repeating. Hope you agree.

Fame, Fortune And Chapter 1

By Pat Browning

Writing. What’s it all about? Dozens of books will tell you how to do it, but nobody can do it for you. Sure, you can hire a ghostwriter, but then it’s not really your book, is it?

Advice? I have some advice for anyone starting to write a first book.

1.Don't take rejection personally, just keep working on it. Quoting Sue Grafton, who spoke at a conference in Boise a few years ago: "The free world does not hang in the balance. You are only writing a book."

2.Talent, like murder, will out, but be prepared to wait. What I heard repeatedly when I started was, "Don't give up your day job." If you’re addicted to food and shelter, that’s good advice.

3.Write for the thrill of it, and what you learn from it. Quoting Holly Lisle in HOW TO FINISH A NOVEL: "Write what you love, not 'what sells.' ... What you will not do for love, you should not do for money."

Plan and plot? I swear, one of these days I'm going to try that. Maybe then I'll write a best seller. In the meantime ... Settings usually present themselves, because I love places. Characters seem to arrive, probably from my lifelong love of people watching. That’s it. I can't plot my way out of a paper bag. After I've done pages and pages of drafts I start thinking, what will I do with this mess?

Recently, I enrolled in "Discovering Story Magic," an online workshop presented by Robin Perini and Laura Baker through www.writersonlineclasses.com. A story board I made for my work-in-progress is marked off like a calendar, with yellow sticky notes for First Turning Point, Second Turning Point, Third Turning Point, and Fourth Turning Point ( Black Moment, and Realization). It keeps me on track.

Nothing, but nothing, inspires me like reading a good book. Some of my favorite authors may or may not struggle to get those words on paper, but for reading enjoyment it’s best not to look for sweat and tears between the lines. Better to accept it as magic.

I have too many favorite books to list but here are four.

NICE TRY by Shane Maloney (2001 Arcade Publishing, First published in Australia in 1998)
Maloney wraps social commentary around a mystery featuring Murray Whelan, a political dogsbody in Melbourne, Australia. Recruited to help with the government's bid to host the Summer Olympics, he ends up trying to outwit an Aboriginal activist while investigating the death of a promising young triathlete.

SUMMER OF THE BIG BACHI by Naomi Hirahara (Bantam 2004)
Mas Arai is an aging California gardener who harbors a secret going all the way back to Hiroshima before the A-bomb dropped. There is a murder, but the story belongs to Mas and the way he puts his long-held secret to rest.

THE SIXTEENTH MAN by Thomas B. Sawyer (iUniverse 2001)
Sawyer weaves together parallel lines of history and present time, with an intriguing JFK assassination angle and the best "what if" ending ever. Sawyer was head writer and co-producer of the TV show MURDER SHE WROTE so he knows how to keep a story moving.

PLAY MELANCHOLY BABY by John Daniel (Perseverance Press 1986)
In 1977, lounge pianist Casey Jones tickles the ivories for customers who love the songs of The Great Depression and World War II. Then a mystery woman yanks him back into a past he wanted to forget. It's a mystery in a time capsule, beautifully written.