Showing posts with label Raymond Chandler. Show all posts
Showing posts with label Raymond Chandler. Show all posts

Thursday, April 5, 2012

Guest Blogger Jochem Vandersteen on Hardboiled Prose

It's my pleasure to introduce guest blogger Jochem Vandersteen. Jochem is the writer of the Noah Milano series and the founder of the Hardboiled Collective. He blogs at http://sonsofspade.blogspot.com/, a review site for private detective fiction.

To me, one of the main attractions to hardboiled fiction to me is the writing style. Sure, I love the tough guys walking around and the plots involving murder, crooks and femme fatales but if there’s one genre that is generally written in a style I enjoy, it’s the hardboiled one.

Hardboiled prose is sparse, direct, tough.

This style was born from the working class readership of the first pulp magazines like Black Mask and Dime Detective that offered these stories. Also, an important element was the fact the writers of these stories got paid by the word. If they didn’t want the content of their stories butchered by editors they had to tell those stories in as few words as possible.

The most famous name coming from these pulps is of course Dashiell Hammett. The Maltese Falcon by Dashiell Hammett is the first great use of sparse, unemotional language to tell a story, still one of the best examples of a lean prose style as can be found. No wonder my blog is called “Sons of Spade” after the protagonist of this novel, Sam Spade.

Somewhat later Raymond Chandler came along and with his Philip Marlowe stories took  the sparse, clipped phrasings of Hammett and added some of the greatest similes ever along with a slightly  more poetic and romantic attitude.

RobertB. Parker picked up on this and perfected it in his Spenser novels which will always be great examples of how you can tell a story without getting bogged down by long, uninteresting descriptions. Elmore Leonard had as one of his writing rules “Leave out the parts people skip.” Together with Robert, he is a master at this..

Popular writer James Ellroy was forced to emulate the great pulp writers when his original draft manuscript, consisting of 809 pages, of LA Confidential (1990) arrived at his editor. The editor decided the book was too long and needed to be shortened for the sake of publishing costs. Ellroy decided the plot was too intricate to cut scenes and went through the manuscript page by page, removing extraneous words. He reduced the length of the manuscript by over two hundred pages and didn’t lose a scene. This ended up being his household style.

With my own Noah Milano stories I try to tell a good, exciting story that is easy to read and gives you the most bang for your buck as possible. That’s why I write a lot of short stories and bring out novelettes. I’m not writing psychological thrillers or conspiracy novels that go on and on for hundreds and hundreds of pages, I write hardboiled fiction and I’m proud of that fact.
.

J

Thursday, January 13, 2011

Interview: Jochem Vandersteen of Sons of Spade

by Jaden Terrell

Today's Murderous Musings interview is with Jochem Vandersteen, webmaster of the Sons of Spade review site and author of the Noah Milano stories. Jochem lives in the Netherlands with his wife and baby. He works in IT and writes for Rockportaal, a dutch website about rock music. Sons of Spade is a review site for private detective novels and can be found at http://www.sonsofspade.tk or http://sonsofspade.blogspot.com. I've been reading Jochem's blog for over a year now, and it's a great place to find new authors and learn about new releases from old favorites.

MM: How did you become interested in private detective novels?

Jochem: I think it started with watching Philip Marlowe and Spenser on TV. That got me interested in their novels. I loved the fact that these were intelligent men who stood up for what they believed in. As a young man they were good role models.

MM: Why do you think private detective novels continue to be popular?

Jochem: Although a lot of times debates pop up that say the PI novel is dead, they’re still coming out and we’re still enjoying them. I think they stay popular because they’re such archetypes. They fit in there with knights, superheroes and cowboys. Everybody knows what to expect from them. Also, they’re a great way to tell a good crime story without getting lost in procedural details.

MM: You’ve written one of your own, White Knight Syndrome. Can you tell us a little bit about it?

Jochem: Noah Milano, a Los Angeles security specialist is hired to bodyguard a beautiful and rich teenage girl he's drawn into a web of family secrets, homicide and the dangers of falling in love.

It's not easy to be a White Knight in a world filled with betrayal and mob violence but Noah Milano is going to try anyway... even if he has to die doing it...

It's onsale right now from Amazon.com!

MM: What’s your writing process?

Jochem: I spent every minute of the day plotting, coming up with characters. And only a few hours every week writing I’m afraid. If there were only more hours in a day.

MM: Tell us a bit about your character. Who is he? What makes him unique?

Jochem: Noah Milano is the son of a mobster, trying to make amends with a violent past after the death of his mother. He works as a security specialist, but that really means he’s a PI. Or, sometimes, a thug for hire. What makes him unique is that he constantly tries to be different from the violent, selfish man he used to be. It isn’t easy however, because his main job skills are his proficiency in violence and his knowledge of the underworld.

MM: In ways is your character like you?

Jochem: He likes rock music and comic books. He’s got a sense of humour not everybody thinks is funny.

MM: In what ways is he different?

Jochem: He’s better looking, better armed and a hell of a lot tougher.

MM: Will there be other books in the series?

Jochem: Probably not. I put out a collection about him some time ago, though. It’s still available for free when people e-mail me asking for it. Also, I just put out a split novella featuring Noah. It’s also available for free. He’ll be popping up on the web in short stories again soon.

MM: What writers have most influenced your writing?

Jochem: Raymond Chandler, Robert B. Parker, John Connolly, James Lee Burke, Lawrence Block, Robert Crais, early Pelecanos, Dennis Lehane.

MM: How does your perspective as a Dutch writer influence your work?

Jochem: I don’t know really. I try to give the stories a very USA-feel and I seem to pull that of. I don’t think my perspective is different from the writers in the USA.

MM: What gave you the idea to start the Sons of Spade blog? How did it come to be?

Jochem: I wanted to promote my work, so I created the blog. When I discovered a lot of writers were more than happy to work with me it really took off. It’s a very rewarding way to get to know fellow PI-lovers.

MM: Has the blog opened in any doors for you? If so, in what way?

Jochem: It gave me the opportunity to read a lot of PI novels before they come out, which is really great. Also, some PI writers were nice enough to write introductions to my collection Tough As Leather, which is really cool.

MM: What’s the best part of writing a blog like this?

Jochem: Hearing back from people who love it.

MM: What’s the worst?

Jochem: Not hearing back from people who love it.

MM: How do you find authors to interview?

Jochem: Surfing the web I keep up with new PI writers. Most of them are very happy to be interviewed, eager to promote their work but also very nice people.

MM: Who would your dream interview be with, and why?

Jochem: I’d still like to interview Robert Crais and Dennis Lehane, because they’re big names in the genre and very big inspirations.

MM: Do you prefer to contact writers, or do you want them to contact you? If they have a book they would like you to review, what should they do?

Jochem: I love it when they contact me. If they want books reviewed, be interviewed or whatever they can always write to me at jvdsteen@hotmail.com.

MM: You’re also involved in the music industry. How do you manage to juggle all your interests and responsibilities?

Jochem: It’s tough. With a family, a fulltime job and a lot of books to read it’s not easy to find enough time. I try to keep my hand in the rock business as well as the crime writing business as well as I can. Mainly it’s just trying to take advantage of every free hour I have.

MM: Is there anything I’ve neglected to ask that you’d like to discuss?

Jochem: Not really. Just a note to all of you people who have anthologies coming out: my short stories have been pretty well received by fellow crime writers and I’m really looking to contribute to more anthologies. So, get in touch with me if you’re thinking about running my stories.