by Jaden Terrell
Joe (J.A.) Konrath has said that short stories are the best advertising in the world for an author's novels. Readers pick them up, like what they read, and decide to try the author's books as well. I've been reading a lot of short stories lately, and while all have been written, edited, or recommended by authors whose books I've already read and enjoyed, I think Konrath is right. (No surprise, since he's the guru of book marketing gurus.)
In the last few weeks, I've read stories from Fox Five by Zoe Sharp, Tough as Leather by Jochem Van der Steen (creator of the Sons of Spade review site), and Shaken: Stories for Japan, edited by Timothy Hallinan. Sharp and Steen have written anthologies featuring the protagonists of their novels, Charlie Fox and Noah Milano, respectively. Fox is a former special forces soldier now working in the private protection business, and Sharp depicts her with a crisp, engaging style that made me want to read more. Milano is a PI struggling to live a good life despite being the son of an infamous crime boss. His past has a way of intruding on his good intentions. There are some disturbing images in Tough as Leather, so it's not for the squeamish, but there are also some touching moments, and Milano is a sympathetic hero. Van der Steen is a Dutch writer, so there are a few awkward phrases, but there are also a lot of very apt descriptions, as when a carpet is described as "a red, fuzzy sory of thing [that] looked like Elmo had been skinned" and some great characterizations. Who wouldn't love a hero who serves his clients' tea in "the good china"--a Power Puff Girls mug and a Garfield mug missing one ear?
The third anthology, Shaken: Stories for Japan, was edited by Hallinan but also has stories by Brett Battles, Cara Black, Debbi Mack, Adrian McKinty, Gary Phillips, C.J. West, I.J. Parker, Dale Furutani, Wendy Hornsby, Vicki Doudera, Dianne Emley, Stefan Hammond, Rosemary Harris, Ken Kuhlken, Hank Phillippi Ryan, Jeffrey Siger, Kelli Stanley, and Naomi Hirahara. All proceeds from Shaken go directly toward earthquake relief in Japan. You couldn't ask for a more impressive group of writers, or for a better cause. And yes, I will seek out some of these authors and read more.
Other anthologies I've read lately are Twisted and More Twisted by Jeffery Deaver, and Killer Year, edited by Lee Child. Deaver, I obviously knew about from reading his novels, but some of the authors in Killer Year were new to me.
For me, it seems that short stories can interest me enough to make me look further, but finding them requires an editor or authors I recognize or a recommendation from someone I trust.
What do you think? Authors, do short stories draw in readers for your novels? Readers, do you find new authors through short stories, and if so, what makes you pick up the short story in the first place?

Showing posts with label Jeffery Deaver. Show all posts
Showing posts with label Jeffery Deaver. Show all posts
Thursday, October 6, 2011
Thursday, August 5, 2010
Killer Nashville's Coming
By Beth Terrell
It's that time again. That time of year when Killer Nashville founder Clay Stafford and I survive on four hours of sleep a night as we chip our way through to-do lists longer than our legs (and Clay has very long legs). It's all worth it, though, because the final result is going to be...well...Killer.
Jeffery Deaver is our Guest of Honor, and I hear Jeff is not only a delightful speaker, but a pretty fair guitar player as well. We're hoping he can be persuaded to join us around the pool for music and conversation. Don Bruns (who won the Silver Falchion Award two years ago for Stuff to Die For) will be there will his guitar, as will Stacy Allen, who sang for us at last year's awards dinner.
Since the conference begins early on Friday, many attendees arrive at the hotel on Thursday night. In the past, there have been no Killer Nashville festivities that night, but this year, Greg and Mary Bruss of Mysteries & More independent bookstore, are hosting Mystery Team Trivia at 7:30. Greg asked me to be sure and emphasize that valuable prizes will be awarded.
On Friday morning, the fun begins with a presentation called "CSI Don't Think So," in which law enforcement consultant Lee Lofland discusses how television gets it right--and wrong. Lee will intersperse interesting forensic science tidbits throughout the presentation. There are five tracks this year, because we had too many wonderful authors coming to fit them into four. Attendees will hear from a Marine sniper/sniper trainer, forensic psychologists, TBI agents, private investigators, attorneys, and police officers, in addition to agents, editors, and a host of terrific authors, including our own Chester Campbell (who won last year's Silver Falchion) and our own Bente Gallagher (aka Jennie Bentley). Among those attending are Charles Todd (NYT bestseller), Steven Womack (Edgar winner), David J. Walker (Edgar winner), PJ Parrish (Shamus and Anthony winner) and Annie Solomon (Rita Award winnier). There are sessions on character, pacing, dialogue, YA, historical fiction, marketing and promotion, and many that are designed to appeal especially to readers. And, oh yes, there's the mock crime scene staged by TBI agents Dan Royse and Mike Breedlove and solved by attendees.
I could go on and on, but I'd be sure to leave out something important; there's a detailed schedule on the conference site. (Warning: it's a slow-loading site.) As you can see, you don't have to be a crime fiction writer--or even a writer at all--to have the time of your life at the Killer Nashville Crime Literature Conference.
Last year, on Sunday afternoon of the conference, one of my fellow conference organizers came to the registration table where I was sitting and said, "Beth, there are writers sleeping all over the lobby."
I knew we'd done our job.
It's that time again. That time of year when Killer Nashville founder Clay Stafford and I survive on four hours of sleep a night as we chip our way through to-do lists longer than our legs (and Clay has very long legs). It's all worth it, though, because the final result is going to be...well...Killer.
Jeffery Deaver is our Guest of Honor, and I hear Jeff is not only a delightful speaker, but a pretty fair guitar player as well. We're hoping he can be persuaded to join us around the pool for music and conversation. Don Bruns (who won the Silver Falchion Award two years ago for Stuff to Die For) will be there will his guitar, as will Stacy Allen, who sang for us at last year's awards dinner.
Since the conference begins early on Friday, many attendees arrive at the hotel on Thursday night. In the past, there have been no Killer Nashville festivities that night, but this year, Greg and Mary Bruss of Mysteries & More independent bookstore, are hosting Mystery Team Trivia at 7:30. Greg asked me to be sure and emphasize that valuable prizes will be awarded.
On Friday morning, the fun begins with a presentation called "CSI Don't Think So," in which law enforcement consultant Lee Lofland discusses how television gets it right--and wrong. Lee will intersperse interesting forensic science tidbits throughout the presentation. There are five tracks this year, because we had too many wonderful authors coming to fit them into four. Attendees will hear from a Marine sniper/sniper trainer, forensic psychologists, TBI agents, private investigators, attorneys, and police officers, in addition to agents, editors, and a host of terrific authors, including our own Chester Campbell (who won last year's Silver Falchion) and our own Bente Gallagher (aka Jennie Bentley). Among those attending are Charles Todd (NYT bestseller), Steven Womack (Edgar winner), David J. Walker (Edgar winner), PJ Parrish (Shamus and Anthony winner) and Annie Solomon (Rita Award winnier). There are sessions on character, pacing, dialogue, YA, historical fiction, marketing and promotion, and many that are designed to appeal especially to readers. And, oh yes, there's the mock crime scene staged by TBI agents Dan Royse and Mike Breedlove and solved by attendees.
I could go on and on, but I'd be sure to leave out something important; there's a detailed schedule on the conference site. (Warning: it's a slow-loading site.) As you can see, you don't have to be a crime fiction writer--or even a writer at all--to have the time of your life at the Killer Nashville Crime Literature Conference.
Last year, on Sunday afternoon of the conference, one of my fellow conference organizers came to the registration table where I was sitting and said, "Beth, there are writers sleeping all over the lobby."
I knew we'd done our job.
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