What's Up with THE END?

By Chester D. Campbell

I just finished typing THE END on the last page of Good, Bad and Murderous, the second book in my Sid Chance mystery series. Frankly, I'm not totally pleased with the ending. I got to thinking about mystery endings and what we expect from them.

One requirement is to tie up all the loose ends. Well, most of them anyway. A reviewer of my first Greg McKenzie book complained that my ending was too pat. Although the reviewer liked the writing, she concluded:

"Every single thread was neatly tied at the conclusion of the book, which felt contrived and implausible."

So now I resolve all the major plot points, but I leave some of the character outcomes for the readers to draw their own conclusions.

In her book How To Write Killer Fiction, Carolyn Wheat says in the Golden Age of mysteries, the author could simply show that the detective knew how everything turned out. She points out how Ellery Queen would gather the suspects in a drawing room and "spend seven or eight closely reasoned pages expounding his theory on who had done what and why."

A feature of the ending for most mysteries these days is the confrontation between the hero (or PI, in my case) and the villain. I provided a double feature for this one. The first turns out a draw, so they meet again.

Carolyn Wheat calls what I refer to as the "wrap-up" chapter The Coda. She talks about Linda Barnes closing her book with a seder, the traditional Jewish ceremonial dinner. I wasn't aware of this, but I've used a dinner with all the good guys in most of my Greg McKenzie books. I also relied on it for the wrap-up of Good, Bad and Murderous.

I've depended on this technique in the past to have the main character say something illuminating, if not profound. I suppose that's what bothers me. I'm not sure what I have written here works. So maybe THE END isn't all that final after all.

How do you like your mysteries to end?

Good How-to Writing Books

by Jean Henry Mead

There are a number of good books on writing available, many of value to even the most experienced writers. During the past year I’ve accumulated several that I’d like to share:

~Richard Curtis’s How to be Your Own Literary Agent has been around since 1983, and was revised and expanded in 2003. Curtis doesn’t advise fledglings to become their own agents, despite the book’s title, but offers advice for those brave enough to try. A top notch agent with forty plus year's experience, he outlines in detail what his job entails. He also lists the reasons why publishers can no longer afford over the transom submissions.

How to negotiate your own contract alone is worth the price of the book as well as termination and revision rights, royalty statements and the bookkeeping games that publishers play. He also talks about warranties, permissions, option causes, ancillary rights, cyberbooks and hyper authors, ebooks, movie and TV deals and what writers need to know to launch their careers in today’s publishing environment, among other insider tips.

~Writing and Selling Your Mystery Novel: How to Knock ‘em Dead with Style by Hallie Ephron is another book writers should read. Novelist and broadcast journalist Hank Phillippi Ryan swears that Ephron’s book enabled her to write her award winning novels. Ephron talks about planning a novel, writing a dramatic opening, creating a sense of place, fixing plots and characters, and targeting agents.

Ephron also discusses villains, choosing a title for your book, introducing your protagonist, planting clues or red herrings, laying in backstory, minor characters, point of view, dialogue and everything in between. I highly recommend this book written by a best selling novelist.

~How to Writer Killer Fiction by Carolyn Wheat is another book writers should have on their shelves. I especially enjoyed her chapter on writing killer fiction. Her introduction quotes the late John Gardner, who wrote, “Fiction is like a dream.” She goes on to say that “Fiction can send us on a roller coaster ride of sensation, or it can produce images as distorted as any to be seen in the funhouse mirror in the carnival.” And “If fiction is like a dream, then suspense is a nightmare. The hero, and through the hero the reader, is plunged into chaos, driven from one extreme to the other, hounded and disbelieved and threatened with ultimate danger.”

Wheat writes of many aspects of her “Funhouse of Mystery,” including organizing your novel, the two-layered ending, spy fiction offshoots, the hero’s journey, how to finish your book before it finishes you, endings that satisfy, the storyboard, comic relief and much more.

Another how-to book I’ve been hearing about for some time but only acquired recently is Anne Lamott’s Bird by Bird, an abstract and somewhat shocking account of her journey as a writer. A fiction writing teacher, she writes of her experiences growing up, in her classroom, as well as writing her own novels. In the book she says, “Now, who knows if any of this is usable material? There’s no way to tell until you’ve got it all down, and then there might just be one sentence or one character or one theme that you end up using. But you get it all down. You just write.” Word by word. Bird by bird. The writing advice and lessons she offers her students as well as her readers is invaluable.

I’ve saved some of the best for last: Chris Roerden’s award winning books, Don't Murder Your Mystery and Don’t Sabotage Your Submission. The former New York editor, freelance editor and author lists ten reasons writers cause editors to cringe: Arrogance, as in:
~ My book is so good it doesn’t need editing.
~ The only thing it could use is maybe a light proofreading.
~ Everyone will want to buy it.
~ Every publisher will want to publish it.
~ They’re getting a bargain at 150,000 words.
~ To make sure no one steals my ideas, I’ve already registered the copyright.
~ I don’t have to read guidelines, write a synopsis, or play by any of those other Mickey Mouse rules because those are for amateurs.
~ I never read books about writing.
~ What genre is it, you ask? Let the publisher figure that out. They’re in the business. It’s got romance, mystery, history, and biography, and autobiography.
~There isn’t another book like it.
(Excerpted from my soon to be released book, Mysterious Writers)