Post Cold War Political Thriller Features Korea

The year was 1993. The Cold War had recently ground to a halt, and international relations were in a state of flux. Burke Hill, the disgraced former FBI agent who redeemed himself  in Beware the Jabberwock, had become director of clandestine activities for a global public relations firm headquartered in Washington that was actually a CIA spinoff. About the time a devastating explosion in Pyongyang's Presidential Palace killed the North Korean dictator and his heir apparent, Burke gets a tip about a highly secret plot for South Korea to develop nuclear weapons.

Meanwhile, in Seoul, an independent-minded homicide detective suspects civilian leaders who espouse closer relations with the U.S. are being systematically eliminated. He is consistently thwarted by the prosecutor who handles his cases.

The Poksu Conspiracy cover features the Great South Gate in downtown Seoul, South Korea's National Treasure No. 1. Beneath it are the hangul characters for poksu, which means "vengeance." Later in the story, it involves two Chinese characters for "pok"and "su,"but you'll have to read the book to learn about that.

The Prologue introduces a third character who is central to the plot but remains in the background through most of the story. Born in 1919 a few months after the March First Movement's abortive effort to achieve Korean independence from Japan, he grows up with a burning desire to wreak vengeance on the Japanese for the execution of the father he never knew. When Burke Hill and Capt. Yun Yu-sop of the Seoul Metropolitan Police Bureau finally get together, they discover they are after the same man, whose current identity is unknown.

Although The Poksu Conspiracy is called a political thriller, it could be identified as part spy story, part Korean police procedural. It runs a little over 154,000 words and has a sizable cast of  characters. Since many of them have strange-sounding Oriental names, I will include a Who's Who in the front of the book to help readers keep up with, what else, who is whom in the story.

Poksu will be available as an ebook for the Kindle by the end of October. I need some advance reviews, so if anyone would like to do a review Amazon, I can send you  a PDF of the book. Just email me here.

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Creating Believable Characters

By Chester Campbell

I think creating characters is one of the most interesting facets of fiction writing. Cameron Quinn, a central figure in my latest novel, Beware the Jabberwock, was a fun person to work with. I originally wrote the Post Cold War thriller in 1989-91 after years of reading spy novels and non-fiction books about the CIA and the KGB. I needed a veteran CIA officer to put on the trail of the Jabberwock conspiracy, and Quinn was my man.

As has been my custom in the years since, I started with a few basic facts in his background, then developed his character more fully as the story progressed. I made him a member of Gen. William Donovan's Office of Strategic Services (OSS) in the latter part of World War II. After the war he received a law degree from Harvard. His father was a prominent Boston attorney, and his Ivy League connections made him an ideal candidate for the fledgling CIA.

Quinn became a main contact with the Mossad under legendary counterintelligence chief James Angleton. That put him in a bad position with his current CI chief, Hawthorne Elliott, an Israeli critic and detractor of Angleton. Quinn was a feisty Irishman who had always enjoyed imbibing, and after his wife died of cancer, he went on a drinking binge that got him in trouble at the Agency. Following a six-month drying out process, he hopes to salvage his career with work on tracking down the meaning of the code word Jabberwock.

This is where Cameron Quinn intersects with my main protagonist, Burke Hill, and offers more opportunities to develop his character. The two had worked together informally years before when their cases came together. Burke was an FBI agent then, working with J. Edgar Hoover's Goon Squad on projects of questionable legality. In one instance, Hoover sent Hill to Mexico to take care of a troublesome leftist who turned out to be Quinn's intelligence source. They worked together to placate both agencies at a time when the CIA and FBI were hardly best friends.

When Quinn recruits Burke Hill to assist him in the Jabberwock investigation, his daughter comes into the picture. She was born while Quinn was assigned to the American Embassy in Budapest at the time of the Hungarian Uprising of 1956. After graduation from college, she worked with the CIA in Europe for a short time, then got into the travel business in Washington. Her company handles travel arrangements for CIA operators.

I portrayed Cameron Quinn as a likable, almost cherubic, grandfatherly man, but one highly dedicated to his craft and worthy of the nickname Pachinko, "the man with steel balls," which he earned working with the Israelis. He gets into some pretty sharp philosophical wrangles with Burke.

I hadn't considered it when I began dealing with the character, but as things developed, Quinn's drinking problem turned out to be a key turning point in the story. He was certainly an enjoyable person to follow through his ups and downs. It made him come across as a real person you could see and hear and connect with at every level.

Incidentally, Beware the Jabberwock is currently available as an ebook for the Kindle and on Smashwords,com for most any e-reader. Within the next week or so, it will be on Amazon as a trade paperback. You'll find more on my website and  blog.

Writing About Places We've Never Been

For most of my fiction writing career, I have stuck with the idea of only taking my characters to locations I have visited. Even that can be problematic if you aren't careful. When I wrote my first Post-Cold War thriller in 1990-91, I had visited Hong Kong. But when I revised Beware the Jabberwock for publication recently, I discovered I had used a hospital that was too far from where my character had an accident.

While revising the second book in the trilogy set just after the Cold War, The Poksu Conspiracy, due for publication soon, I realized I had broken the familiarization rule. I had a few scenes set in Berlin and Budapest. These are places I've never been. I depended on some maps of Berlin and online information for the German capital, but not much was required since it only involved a drive in from the airport to a downtown office.

The Hungarian part was a bit more complicated. I had Burke and Lori Hill spending several days there. Budapest was Lori's birthplace. Luckily, National Geographic Traveler ran a feature on the city around this time. It included great pictures of various sites and an article that provided lots of information. I also read a book by someone who had lived there several years that gave an inside look at the area.

Among the places described in the magazine was a restaurant that had been restored to its pre-Soviet satellite name, the Cafe New York. It occupied two levels of the old New York Insurance Company building, and the Communists had renamed it Cafe Hungaria. The lavishly decorated upper level was a balcony that looked down on the lower level called Melyviz, or Deep Water. In the old days, the affluent gathered on the upper level to peer down disdainfully on the writers and artists who subsisted on the cheaper fare of Deep Water. Burke and Lori made an important contact there.

My work was validated when I submitted those chapters to my writers group. Turns out one of my colleagues had lived in Budapest while her husband was there with the U.S. military. She said my descriptions were right on.

I haven't begun revising the third book, which was originally written around 1993. Titled Overture to Disaster, it is the longest of the three, currently clocking in at 165,000 words. And much of it is set in locations that I've never visited. I was well versed in the activities of the CIA and KGB back in those days, and I did a great deal of research on areas where the story is set. In the early part of the book, I have scenes in Minsk and Kiev, capitals of two of the new countries that were formerly Soviet republics.

It was only later in my fiction career that I decided to stick with locations I've visited. I'm pleased with what I did in these first three books. I'll be surprised if any of my readers takes me to task for the way I described these places nearly a quarter of a century ago.

Research in Depth

By Chester Campbell

I suppose I've become lazy the past few years while I continued to write PI mysteries set around Nashville. They haven't required much research as I'm writing about a city I've known intimately for most of my life. If I need to refresh my memory on something, all it takes is a little drive-by "research." I've also chosen subjects I'm familiar with that needed little more than Googling.

It wasn't always like this. When I started writing mystery novels in earnest, after retiring in 1989, I chose the subgenre I'd read avidly since the end of World War II, the spy story. I wrote a trilogy of international thrillers set at the end of the Cold War. They feature a disgraced former FBI agent who gets involved in espionage. None of the three sold, far a variety of reasons (I had a different agent for each of them). I've been revising them lately with an eye to putting them up as ebooks.

During this process, I've been fascinated at recalling the amount of research I did on these books. I had read extensively about the CIA and the KGB, and I bought several newer books for background. One major challenge was the variety of locations around the globe. I spent a lot of time at the library going over travel books and memoirs by people who had lived in the areas.

Locations my characters visited in the first two books included Tel Aviv, Hong Kong, Seoul, and Chiang Mai, Thailand. At the time I wrote the stories, I had never been to Israel. Having toured the country and seen Tel Aviv in 1998, I was quite pleased at how well I had described the setting. I only made a few tweaks based on firsthand knowledge.

I toured the Southeast Asian locations in 1987 when my wife and I joined our younger son (then with Army Special Forces) and his wife on a 30-day junket that included Korea, Okinawa, Singapore, Thailand, Hong Kong, and the Philippines. Of course, I had also spent a year in Seoul at Fifth Air Force Headquarters in 1952-3 during the Korean War. I did additional reading on the areas while researching my spy stories.

Most of the U.S. cities in the books were ones I was familiar with. One fictional location I created was a small island off the Florida Gulf Coast. I visited the area and consulted with seamen at the Apalachicola, Florida Coast Guard Station to keep things realistic.

The last book in the trilogy has the most areas I've never seen. It includes a remote corner of Iran, parts of Ukraine, and Minsk, Belarus. It is set in the early nineties, and I did extensive research on conditions in the areas.  I also used parts of Mexico, some of which I had visited. The stories include many technical details that I researched extensively, much of it in cooperation with my "technical adviser," brother Jim, an electrical engineer.

Sarin Gas Attack Stirs Memories

By Chester Campbell

In Dr. Doug Lyle's The Writers Forensics Blog last Saturday, he wrote about the terrorist attack in a Tokyo subway on that date (March 20) in 1995 using sarin gas. It was headline news fifteen years ago as the first case of a CBW (chemical and biological warfare) agent being used in a major city.

The blog brought back memories for me of what might have been. I started writing end-of-Cold-War spy thrillers when I retired. I finished the first one in 1990, the second in 1991, and the third in 1992. Book three brought me a contract with a well-known New York agency. It was the last of a trilogy featuring Burke Hill, a former FBI agent who runs an international PR agency that's a CIA front.

In this book, which has the working title Overture to Disaster, Burke doesn't appear until midway through the plot. It starts out in the Ukraine just before the demise of the Soviet Union. A group of KGB officers steal several mortar shells filled with nerve gas from an army unit, killing a young army captain from Minsk.

At about the same time, a USAF special operations mission to extract a defector from Iran goes bad and the helicopter pilot is falsely accused of responsibility. He is court-martialed and discharged.

The story picks up a couple of years later with the murdered captain's brother, a chief investigator with the police in Minsk, the Belarus capital. He uncovers a plot by the ousted KGB officers to organize dissidents in the new Commonwealth of Independent States, a move designed to usher in a new Soviet-type state. Knowing the U.S. is committed to supporting the independence of the former Soviet republics, the plotters plan a diversion to keep the Americans occupied at home.

A team of Shining Path guerillas is trained in Mexico, where the former Air Force helicopter pilot now lives. This is where Burke Hill joins the story. It all winds up on the Fourth of July in Washington, D.C., where the nerve-gas shells make their appearance.

The agency let the manuscript gather dust on the shelf for a couple of years. When it finally went out, a Tor-Forge editor liked the story but said it was dated. What makes it so sad is that if they had found a publisher early on, the book would have come out about the time of the Tokyo subway incident Dr. Lyle wrote about. With that hook, the book could have really taken off.

Maybe (probably) I'm dreaming, but it just goes to show how the luck of timing enters into this peculiar business. I pulled up the the manuscript today (I still have all my old unpublished stories in the computer) and I still think it's a great story. I think I'll do a little revising and try it again.

Maybe my luck will change this time around. And the title? It refers to the 1812 Overture played by the National Symphony on The Mall behind the Capitol at the climax of the Fourth of July celebration. Makes for a rousing finish.

Chester Campbell's Website