The Need For Speed!

 By Mark W. Danielson

A new television commercial unexpectedly sent me back to my early teen years.  In the commercial, a police officer steps off his motorcycle, slowly approaches the stopped vehicle, and asks the kid in his kiddie car, “Do you know how fast you were going?”  Whatever happened after that is lost because in my mind, I was delivering newspapers again in the East SF Bay Area.  At the end of my route, I sped down very steep hill as fast as my bike would take me, hoping the radar cop that frequently parked at the bottom before a great curve would pull me over for speeding.  I have no idea how fast I was actually going, but my bike was banked way over as it took the curve.  Of course, the cop would never have caught me because I would have disappeared up a different hill and down a side street had he ever given chase.  Then again, a wise cop would have realized from my flapping newspaper pack that I was a paper boy and would be repeating my act at same bat time, same bat place, the very next day. 

Two things came from this recollection.  First, for unexplained reasons, I have always felt “the need for speed”, so famously scripted into the movie TOPGUN.  When I was delivering newspapers, I was already flying airplanes.  My paper boy job only allowed one flight per month, but it was worth every cent to get airborne.  Many years later I found myself flying fighter jets a few feet off the deck as fast as they would go and did graduate from TOPGUN.  In all my years since, I have never lost my joy of flying low and fast, but I assure you I don’t do any of that as an airline pilot.

The other thought from this television commercial was how quickly this scene with the cop transported me back in time.  In novels, this is called good writing.  Whether intended or not, a well-written scene or line has the potential to flash readers back to their own experiences.  Although some lines may open old wounds, others may bring smiles or tears of joy.  Either way, if it envelopes the reader then your story has become theirs.  Isn’t that the definition of successful writing? 

Location, location, location

By Mark W. Danielson

Rather than selling real estate, I am suggesting using aerial maps to help create realistic scenes. As a reality-based novelist, I have found that visiting my settings is critical to accurately writing about them. In most cases, I’ve been physically able to walk the areas I’ve described, but there are times when I must resort to other means. One of those involves using satellite imagery through the Internet. Here, a variety of mapping web sites allow me to zoom in on specific locations using a full range of magnification. Other than actually visiting the site, there isn’t a better way to create or verify a potential scene.

Using this method is simple. Let’s say I want to find a hotel for a particular crime scene. First, I’ll do an Internet search to locate a hotel that’s closest to my desired location, then I’ll switch to the aerial view that’s normally provided on the hotel’s web site. If an aerial view isn’t available, then I’ll plug the address into a mapping web site. The large scale aerial view gives me a broad understanding on how everything can fit together. Then, if I plan on describing a route to or from this hotel, I’ll pan the map to follow specific roads, picking up details along the way. I always keep my descriptions brief, though. One picture may be worth a thousand words, but there’s no need to use that many.

Scaling a map is equally important, but even this space image of the San Francisco Bay Area shown above provides remarkable detail. If you’re familiar with this location, you can pick out Golden Gate Park even at this range. Once I understand the big picture, I’ll zoom in for clarity, such as in this image of Chicago’s Michigan Boulevard. (See photo below.) Of course, the value of satellite imagery is proportional to one’s familiarity with a location. If you know the area, then satellite images will stir memories that can be woven into your story. If you are unfamiliar and attempt to substitute these images for actually being there, then you are jeopardizing your credibility, for no matter how clear the image, these photos cannot even hint at the smells, sounds, or general condition, nor can they give a sense about the people who walk its streets.

I am a firm believer that reality-based fiction must be accurate in every detail. Since credibility is the essence of any suspense story, why create fictional cities when so much crime happens in existing ones? Remember that even though a small percentage of your readers may discover your error(s), your resulting loss of credibility can seriously damage your writing career. (I still remember some “big name” authors’ inaccuracies from years ago.)

Like everything, satellite imagery is one more gizmo in your tool chest, no different from taking photographs, making video recordings, or talking to street people. The key to being a solid writer is including the details in your scenes. Pay attention to the dust on the light bulbs, the background music, and most of all, have fun with it.