I heard my first samba in 1966.
It was in a cinema on East 34th Street in New York , and the film in which it appeared was Claude Lelouche’s Un Homme et Une Femme (A Man and a Woman).
Never heard of the movie?
Then you’re probably a good deal younger than I am.
Because it was a piece of filmaking that no one of my generation (or, at least, no one without a heart of stone) is likely to forget.
Sentimental, romantic and lovely.
It blew me away.
Six years later, I arrived in Brazil . And learned that it had been composed by Baden Powell to lyrics created by Vinicius de Morães, the poet who wrote the words to The Girl from Ipanema.
The English-language version from the film goes like this:
The original title is Samba de Benção, sometimes called Samba Saravah. Here’s Vinicius himself, singing it at a live performance inMar del Plata , Argentina (hence the introduction in Spanish) several years before his death.
And both, as promised in my last post, are classic versions of a samba canção, one of the many sub-genres of this style of music.
Enjoy!