Book 1 in series--Edgar Nominated! |
What’s So Funny About
Murder?
by Shelley Costa
The answer in the real
world, of course, is nothing. So how do
we mystery writers who put humor on the page get away with treating the subject
lightly? In some ways, funny murder
mysteries are actually about something other than, well, murder. The murder becomes a kind of springboard for
writing a comical tale about a set of interesting characters flung together to
investigate the crime. The victim -- in
a cozy – is typically someone we readers either don’t know particularly well
(usually because s/he’s killed off in the first or second chapter), or the
other characters don’t know particularly well, or is someone odious enough to
take the edge off just how much we care about what’s befallen him or her. In some sense, the lighthearted mystery is
more about the mixed-bag relationships among the living than it is about
whatever led up to the murderous moment between killer and victim.
Book 2 in series--Guaranteed to make you laugh! |
But infusing some humor
into a tale about something as ancient and dire and wicked as homicide is also
a way of distancing us – writers and readers alike – from the awfulness. Is that a good thing? What does that little bit of distance do for
us? I think it lets us experience a
story about crime and punishment from a place other than fear or disquiet. If we’re not scared or disturbed (which is
the work, say, of the thriller or suspense novel), then we’re freed up to
investigate alongside the sleuth. To
employ our own little grey cells in the contemplation of the crime. In that, I do believe, there is great
pleasure. Humor is a way of setting us
up in our own little Olympian heights, safe from the fray on the page. There we
take in the overview, consider the clues, glance skeptically at the suspects’
stories, formulate a hypothesis. And
along the way, we laugh. It’s a ride I’m
always ready to climb aboard. Join me!
Bio
A 2004 Edgar
nominee for Best Short Story, Shelley Costa is the author of You Cannoli Die
Once and Basil Instinct (Simon and Schuster 2013, 2014). Cannoli
was a 2014 Agatha nominee for Best First Novel. Shelley’s mystery stories
have appeared in Alfred Hitchcock Mystery Magazine, Blood on Their Hands,The
World’s Finest Mystery and Crime Stories, and Crimewave (UK). Next up
is the first book in a new series, Practical
Sins For Cold Climates (Henery Press, January 2016), featuring
thirtysomething sleuth, Valjean Cameron, a New York editor sent to the Canadian
Northwoods to sign a reclusive bestselling author to a book contract. But
first she has to find him — a tricky thing to do in her Prada heels. Practical Sins is a traditional amateur sleuth mystery. Shelley teaches creative writing
at the Cleveland Institute of Art. Find her at www.shelleycosta.com.
Note from Jackie King:
This is the second post in my series of MYSTERIES THAT MAKE US LAUGH featuring my panel-mates at Malice Domestic 27, held the first of May.
More to come!
5 comments:
Hard to refuse such an invitation, Shelley. I don't understand those who criticise crime/mystery writers for using humour as part of their armoury. As you say, it's a fundamental (and, in my mind, necessary) ingredient in nearly all human interactions. A gore- or horror-fest needs some sort of thematic counterpoint (especially that of humour) to sustain its tension. And laughter makes any experience more realistic and more enjoyable. I've just downloaded Death Roll (it was first on the list) and look forward to reading it.
Thanks Bill for your input, which was wonderful, as always. There are some days I wouldn't get through if I didn't find humor in something. Laughter is healing.
Shelley,
Thanks for agreeing to be a guest on Murderous Musings. I loved your post, and I love your books! Keep them coming.
I enjoyed the guest post and agree with you and Bill that humor is a necessary ingredient in a mystery writer's arsenal. I also think that at least one quirky character helps to liven the plot. : )
Well said, Jean. And you will find plenty of quirky characters in Shelley Costa's books.
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